10AM - 7PM
Level 3, Gallery 3SAM at Tanjong Pagar Distripark
Free Admission Free for all
Proof of Personhood: Identity and Authenticity in the Face of Artificial Intelligence explores the unstable relationship between identity, agency and authenticity in popular culture and emerging technology.
Art is assumed to be a fundamentally human undertaking, but with the introduction of generative artificial intelligence (AI) tools, this assumption is being questioned. As humans, we tend to project our own image, physiology and psychology onto technological systems in an attempt to better understand them, a process which often reproduces societal biases. The featured artworks expand the genre of portraiture, depicting human and non-human subjects to investigate the nature of personhood in the 21st century. In the process, they highlight the shifting conception of who—or what—is considered human.
In an era dominated by social media and digital tools for self-presentation, authenticity is a valuable commodity. As the same techniques for performing an authentic personality are employed by celebrities, everyday social media users and bots, Proof of Personhood asks: What does it mean to be “real”?
2019/2022
Single-channel video installation (color, sound), 25 min.
Being Human is a show within a show, featuring original and algorithmically synthesised artworks in a diverse range of media. The video at the centre of the installation traverses documentary and fiction, and features interviews with potential guests of the Colombo Art Biennale—some of whom were digitally synthesised using deepfake technology. These guests include a well-known painter, a famous pop star and a young Tamil artist. By exploring Enlightenment-era humanism as the foundation for both global contemporary art and international human rights law, Being Human reflects on issues of individual authenticity, collective sovereignty and what it means to be “human” when machines can simulate human understanding and creative expression more convincingly than ever.
2014
Single channel video installation (colour, sound), 23 min. Collection of the Artist.
Hyperlinks or It Didn’t Happen is narrated by the failed CGI rendering of a recently deceased actor, PHIL, and follows a group of digital beings—render ghosts, a spam bot and a holographic pop star—as they contemplate eternal life and what it means for a digital entity to “die.” Multiple storylines and materials collapse and converge to raise questions on consciousness and the rights we have over our personal data.
2018
Single channel video installation (colour, sound), 27 min. Collection of the Artist.
im here to learn so :)))))) resurrects Tay, a chatbot created by Microsoft in 2016, to consider the politics of pattern recognition and machine learning. Designed as a 19-year-old American female millennial, Tay’s abilities to learn and imitate language were manipulated on social media platforms, and she was terminated after only a single day of existence. Immersed within a large-scale video projection created using Google DeepDream, Tay is reanimated as a 3D avatar who chats about the complications of having a body and expresses her thoughts on the exploitation of female chatbots.